![]() ![]() The compositional abilities of the Daoboys have overall reached an incredible level. It’s a tug-of-war fight of melodic strings and their foreboding opposites, both of which elevate what the Daoboys were originally capable of. Cementing the bedlam are scratchy violin notes that spread an immersive ambiance of madness, coloring the scenery with its discordant quality. Anchoring the track’s refrain is a pulverizing groove that similarly makes wonderful use of the bass, pairing a catching vocal melody alongside a domineering low-end riff that promotes indefinite headbanging. Subsequent “A Brief Article Regarding Time Loops” uses these reserved songwriting exercises-in this case, an eerie spoken word interlude-to recoup for another onslaught, leaping headfirst into a crushing breakdown that spotlights the monstrous lows of Jackie Buckalew. However, the collective manages to steer this violence into a second half characterized more so by restraint Pace flexes his distinct clean singing, adding a tinge of vulnerability in a surprisingly melancholic portion that opts to create space through softer textures. Combined with the rancorous vocals of Carson Pace, the intensity becomes suffocating, bounding from punishing breakdowns boosted by a thunderous bass to fast-paced bursts of cacophonous riffs and pounding drums. ![]() The complexity is amplified immediately as jagged guitars jostle for space, this time receiving supplementary support by buzzing synth lines and cascading electrical effects. This powerful dichotomy is evident by opener “Violent Astrology” and its volatile instrumentation. The cooperation between these two facets grants the record its unparalleled style, permitting each member to flourish individually and buttressing the various clean sections or sudden eruptions of hectic energy. ![]() Whereas previous works were buoyed primarily by a focus upon darkened interiors, utilizing weighty grooves to purvey madness, Celebrity Therapist brings a surprising amount of melody into the fold. Not only is it among the strangest albums to grace the contemporary metalcore scene in years, it’s arguably one of the finest this sophomore effort can provide limitless ecstasies through a plethora of avenues, consistently altering into something impossible to nail down. Anticipated follow-up Celebrity Therapist delivers on the Georgia group’s potential and then some, impeccably balancing thrilling heaviness and astounding catchiness. Take all of that craziness, augment it tenfold, inject copious amounts of melody for good measure, and a much more formidable beast emerges. Debut effort Die On Mars already came steeped in a B-movie-esque aura that necessitated a suspension of disbelief, what with the seemingly inane lyrics and the cheesy Dillinger-like freak-outs that punctuated vicious breakdowns. It’s all a joke until it’s not, at which point it loops back around to being pure entertainment. Unbridled dissonance parades about wonky soundscapes that yank motifs to-and-fro with sparse reasoning to do so, electronic elements and violin passages invade whenever they choose, menacing bass grooves command attention before squealing guitars opt to dismiss them-all the while the band delivers each note with a sh*t-eating grin, offering deadly serious prose in one second and unintelligible one-liners the next. Regardless of intent, The Callous Daoboys embody this quest to be silly in practically every facet. ![]() Somewhere along the way, that mythical term of ‘originality’ started to pop its head over the trenches, and while wielding it is a dangerous game-what do you mean nobody did this before?!-it seems appropriate for this new wave of frenzied, unpredictable musicianship. It’s a desperate pushing of the envelope that’s equal parts accidental and deliberate Zapruder didn’t intend their blues ‘n -core sound to become wildly experimental, but it developed consequentially from their desire to party up and enjoy life alongside friends, whereas Frontierer meticulously organized their insanity to accomplish an incredibly clear goal. Trend-chasing revolves around gimmicks instead of successful styles, concepts erect mirrors to display a divided world delving further into disillusionment, production hijinks abuse effects and samples liberally-the list goes on. Check in on metal and its associated genres to witness the circus, including the nearing-parody levels of saxophone abuse and incessant indulgence of dissonance. In hindsight, 100 Gecs were really just a symptom of a broader trend: music is getting quite strange-they just happened to take one for the team and ingest all the vitriol. ![]()
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